Her Thighs are Insane

I know this dancer …

She draws her world with eyeliner
puddling mahogany at the corner of her eyes
frosted lavender dusts her lids the shimmer
of a tight sweater

I’m an artist
a little Picasso, she says,
and tells me wild imaginary things
of men that can’t resist touching her skin,
that ache to slide between her flesh
and cry with the fervor of the reborn

On the stage, she dips into the crowd
their animal selves gnaw the air and draw close
breathing her marrow
She fingers them – fathers, brothers, husbands, boys
like forgotten change in her pocket
coins lost in the bottom of her purse
gummed with bits of Juicy Fruit, tobacco
tainted 
with perfume samples ripped from magazines

With a lazy rhythm she rides the pole
squanders her art in foreplay
one dollar at a time
I’ll get out of there, she tells me
over a sink of dishes to her elbows
I want a car that doesn’t drain water every fifty miles
to walk into K-Mart and buy whatever I want

One day, a clear day, a jasmine laced sweet day
she’ll sweep her fine arch
on the right shoulder
and find herself in a waterfall

Archeology of Divorce

When I cry
the ground heaves and moans,
as I crash through the underbrush
like
some ol’ extinct Tyrannosaurus Rex
arms too short to wipe my own nose
ranting through the minutia,
ignorant of the coming fallout

Old, old, old, same old story
a hypothesis for everything
the ending was intrinsic –
slowly seeping
sex in sweatpants
stabbing glances
whipping words
missing words
cheater, cheater, pumpkin eater
one way, my way, mine not yours

some endings extrinsic –
drunk driver
wet street
a 65 mile wide hole
drove through your womb
in one hundredth of a second
the last piece of bad fortune
the great dying

I still find fragments
an odd sock worn thin in the toe
a video, Land of the Lost
the CBGB handbill, the Ramones, 1976,
your thumbprint smeared across Joey

it could have been 65 million years ago
fossilized bones

Kyles Ford, Tennessee

I want to tell this story
from the beginning
though I really only know the end.
When you were five
there were six of you
one pair of shoes
one good dress
you weren’t yet big enough
but you dreamed of buttoning the collar
around your neck
spinning like cotton candy
twirling the hem into a tutu 

when you were ten
and there were eight of you
two pair of shoes
one for the little ones
one for the bigger
you smoothed the dress
over your legs
knocked your knees
pulled at the hem
and folded into the davenport
losing your silhouette to the pillows 

when you were thirteen
and there were five of you,
the little ones died,
two pair of shoes
one put away
one for the rest of you,
wearing that dress
the hem hugging your thighs
just the way men like
you scurried through the door
like it was your fault 

when you were fifteen
there were three of you
the others had left
two pair of shoes
one still put away
one for all of you
the landlord wanted paid
you put on your Mother’s dress
grabbed the bottle of whiskey
took him to the root cellar
and paid the rent

when you were seventeen
there were two of you left
three pair of shoes
one was still put away
one for the other one
one you earned paying rent
you put on your own dress
slapped fifty dollars on the table
and hitchhiked to Savannah

when you were eighty-five
and there was one of you
I laced your feet into ballet slippers
fluffed the tutu around your
skinny slim body
and we rolled out the door
of the Magnolia Manor
shouting
Fuck the landlord!

I Once Believed in Everything

Warm my skin
against the sun cured stone
wrap my arms around the earth
and breath
everything I forgot to remember

The true of your hands
as they gentled mine,
words curling your tongue
wrapping promises around promises
drawing gravel from our mouths
drink, drink, drink
the semblance
until the ocean emptied
and we licked the seafloor clean
grinding salt between our teeth

Time would never fail to rise
wake our bones,
skip like rocks across the breakwater,
catch air
tap waves,
slivers of light
mad with the lack of gravity
until the drag roared
and swallowed every last minute 

Beauty petaled at our feet
as if we walked on water
bursting hues of endless give
air damp with birth,
with death,
music singed our fingertips
grace so bright it burned us
from the inside out

Spontaneous Jumpers

Mystify me
pull diamonds from the night black
and paint my lips
the color of forever

wave your hand across all this
and feed a hundred thousand faces
from a hummingbird’s beak
and brush the broken, bruised, and bare
from the tender of my eyes
into a pastoral landscape
of singing valleys
and deep green grass

catch her as she dives the final swan,
less form than release,
swaddle her in the sun
start all over again
then
maybe I’ll drop to my knees
swear a soul to redeem
and pray to your name
amen

My Morning

I prefer the blue
as morning opens the sky
as shadows declare outlines
Not white washed
by the midday heat
calling children
to dance hopscotch across
the burning cement
their bare feet calloused
with summer 

Birds wake, sing, shout
I am alive, I am ready,
all mine
and I
warble lines in the shower
croon with the teapot
turn on all the lights
just because I can
because I pay the bill

The lawn stretches
reaches to meet the sun,
I want to wear
the blade rippling dew
like diamond bangles
on my toes
dig into the very roots

I strap into my office chair
to keep from sliding to the floor
drunk on the morning

Celluloid 

Everything sounds different
in the dark
when the light’s collapsed

stillness accompanies
your melody
as you play
me in 4/4 time
words that cut
float unanchored
all Doris Day soft-focused
a camera lens
smeared with Vaseline
across my heart

Floorboards sigh as you step across the room

remember Sicily,
Motta Anastasia,
we played The Angel Wore Red
my Soledad to your priest
wounded, I protected the relic
dead, I saved you all 

Inhale, exhale
the walls resonate
the shutter speed quickens
the door catch mumbles your goodbye

everything sounds different
in the dark

Goodbye

A mother broke in 1969
not a fall off the shelf
explode across the linoleum
atom splitting
shatter

Slowly
like the beach carried to sea
grain by grain
or a hairline crack
turned against the wall
hustled to a corner
into a chair
under a blanket
until no more hiding
the pieces falling off
to form a chalk outline
a shadow silhouette

Yesterdays snaked her ankles
into it’s hungry undertow
leaving the shaking bits
the fisted glances
fading to flatline
particles
folding into herself

Rummaging her jewelry box
fingering each pasted jewel
like stars
the 100 billion stars
in the 100 billion galaxies
leaving we, the broken binary
pulling away from each other
without a common mass

Losing

I can’t write this
I can’t speak this
I can’t paint, dance, sculpt, play this
It just is
the burn between my bones

The bleeding from my lips
shroud my skin in hues
my dry eyes can’t color
Ignorant of earth’s hum
I stutter out of tune
skies tumble and turn
in the gravity of it

I plunge my hands into the soil
to feel a thousand years
and slap my empty palms
I reach to meet the sun
my arms useless
as butterfly wings
in the rain

I touch photographs
one by one to my tongue
taste spring, summer
fall, winter’s still
without you
I ache the not to be
the left behind
the null of it

Cheers, Dorothy Parker

Dorothy
I was the girl wearing glasses
filing my tongue on the edge of your words,
your sum of experiments

My Algonquin Round Table
a circle of deep drinking, harsh smoking,
shove it all into our skins
echos, lies, acid trips,
the naked want of us,
red blood true
shouting your line
poets alone should kiss and tell

I banged your bangs before
hairlines were hip again
alas my height deceived no one
my spine not as sharp as yours

The men I broke, they broke me
though we big girls don’t cry
we all have stories
Your line,
he must be handsome, ruthless, and stupid
is not my mantra – but my bad habit

At my mother’s wake my tears were real
I read your Epitaph for a Darling Lady
left for her a red young rose
found comfort in your knowing
that her dust was very pretty
as surely so was yours